The new Sigma 50mm F1.4 DG HSM I A is the ideal lens for portrait photography in natural or low light situations.
I have been photographing nighttime landscapes for about 20 years now capturing images of star trails like the one pictured […]
As a photographer, I am definitely a problem solver. I must solve endless problems including lighting, posing, and flattering my subject. One way to become a better problem solver is to understand the tools available to us, most importantly, our cameras.
When photographing people and portraits, it is important to understand how your camera and lenses see. When looking through the lens, how does your camera interpret the environment and your subject different than what you perceive with the naked eye? Whether posing and shooting fashion, family portraits or head shots, understanding this makes a profound impact on the final results.
When all the elements fall info place during a photo session you can find yourself a lot more than just a couple of high quality single images but instead can find that you have captured a series of images that illustrates some really interesting action. Combining multiple images into a single action sequence image can give you a creative eye opening image that can really surprise viewers.
This February I was invited to join the fast-paced and inspirational conference called Seniors Ignite. The conference, this year hosted outside of Las Vegas, focused specifically on senior portrait photography and all elements involved– lighting, posing, business, inspiration and more! The event helps elevate senior portrait photography through lecture by those leading the industry and also a great deal of hands-on shooting through their senior model program.
High school seniors around the country can apply to be part of the program through their host studio, and a limited number are selected to come to the event and be photographed in fashion-editorial style shoots at the annual conference.
There is one question that is asked of me most often when I am teaching photography. That question is “Which lens is your favorite”? That’s such a terribly difficult question for me to answer. Lenses are like children, I love them all and hate to play favorites.
All kidding aside, I carry 5 lenses with me everywhere I go. Sigma’s 35mm F1.4, 50mm F1.4, 85mm F1.4, 24-70mm F2.8 and the 70-200mm F2.8. Most of my boudoir shoots are done in studio. My studio is very small (about 10’x10’) so I most often shoot with my 50mm due to size constraints. What if I want to take my client out to the rooftop though? (I’m bringing out the 70-200mm for that!) or into the vestibule (only the 24-70mm will do there). I would be unprepared without the other lenses.
Learning to use manual settings in your camera will provide you with the ability to create the beautiful exposures you desire. The exposure in your camera is determined by several different settings. Exposure refers to the lightness or darkness of the image. The settings are: 1) the aperture, the lens opening, which lets in light and controls the depth of field; 2) the shutter speed, the speed by which the lens lets in light, and 3) the ISO, which controls the camera’s sensitivity to light. The right combination of these three settings will give you a nearly perfect exposure and give you the effect you want for your image.
Over the last weekend a huge swell focused giant waves on California triggering a high surf advisory and I had my Sigma 50-500mm to document some of the action. By the end of the weekend the awe inspiring power of this swell took its toll with lots of snapped surfboard leashes, broken surfboards and injured surfers (one had to be taken away by ambulance), my friend Jim broke his foot on Sunday dropping into a huge wave!
At my local beach in south Los Angeles the waves break close to shore so my Sigma 50-500mm F4.5-6.3 APO DG OS HSM works very very well to document the action in the water here. Prime lenses are much harder to shoot with at beach breaks especially when the surf is large.