For this year’s gift guide, we asked our Sigma Pros to recommend some of their favorite gear. This crew of amazingly talented and hard-working photographers each focuses on a different specialty and has their own individual style, and they’ve all got their favorite Sigma gear. Check out these great reasons why our pros choose to use Sigma lenses and cameras.
Yellowstone National Park and Grand Teton National Park have to be the premier nature photography location in the lower 48 states. Subjects range from stunning and otherworldly landscapes to abundant free roaming wildlife. The best time to visit the parks is either in early spring (June) or my favorite time of year in late September to early October as the leaves start to change. The large summer crowds are gone and the park takes on a much slower pace, as it gets ready for the approaching winter. The image above is of the Teton Range just off the outside road. This image is at first light and I used a Singh-Ray, 3 stop, reverse graduated neutral density filter to help balance the foreground with the much lighter sky and mountain range.
One of the most important rules for macro flash photography is balance. For natural looking macro images you have to balance the ambient light and flash output. When the flash and ambient light are balanced the use of flash will not even be apparent to the viewer.
The problem is that with flash output overpowering the natural light in background it will underexpose and go dark, in some cases like the image below, it can underexpose to the point that is appears black.
Recently, while I was in Salt Lake City I had a chance to work with Sigma’s 17-70mm F2.8-4 DC Macro [...]
The exquisitely appointed Vizcaya Museum and Gardens is a photographer’s paradise. The former home of businessman James Deering, who made his fortune manufacturing agricultural machinery, is filled with architecture begging for megapixels of detail, super wide angle views, and impeccable HDR techniques.
A year ago I purchased a 24 megapixel Sony NEX-7 to use as a backup camera during a trip to Belgium, Germany and France. I carried Sigma’s 19mm and 30mm f/2.8 prime lenses. The quality of the photographs amazed me every evening when I downloaded the day’s take. Those results made me carry my “big boy” Canon 5D Mark 2 less than I’d originally planned. The professional quality coupled with it’s touristy—amateur look, I was never questioned in museums, cathedrals, gardens or when I was doing street shooting.
One way to create eye-catching imagery is to break the rules. When you shatter these rules, you stop people in their tracks! One of the first rules of portrait and fashion photography I learned was to NOT use a wide angle lens when photographing people. I was told this would distort their features and be unflattering to the model. But what if you use the wide angle on purpose to distort and exaggerate a scene? Then it creates visual interest and impact. Now your images stand out and become memorable.