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Category: Sigma Pro
09.30.2014

Sigma’s 300-800mm F5.6: Brown Bear Paradise in Alaska Part 1

© 2014 Robert O'Toole | Brown bear feeding frenzy, Hallo Bay, Katmai NP Alaska. Lens: Sigma 50-500mm F5.6 EX lens | Focal Length: 380mmm | Nikon D4 | Shutter speed: 1/2000 sec | Aperture: f/8 | ISO 1000 | EV + 1 | Manual mode, handheld.

My annual trip to Alaska in late July to early August usually means big skies and great light, schools of […]

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09.30.2014

Sigma Pros talk favorite lenses at Creative Live

CreativeLive

Sigma Pros Jen Rozenbaum and Lindsay Adler talk about their current favorite Sigma lenses for fashion, boudoir, and portraiture work.

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09.23.2014

The “Sweet” Light: Capturing Beautiful Portraits at Sunset

For many natural light photographers, photographing in the “Sweet Light” is the highlight of what we do.  This light happens […]

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06.10.2014

How to Pose Couples

©2014 Lindsay Adler | Lens:  Sigma 85mm 1.4 DG HSM | Aperture: F2.2 | Camera: Canon 5D Mark III

As a portrait and wedding photographer, you have got a lot to think about and have a lot of responsibility. You must consider exposure, composition, lighting, lens choice, flattering the subject and posing. On an engagement session or wedding you are capturing one of the most important days of a person’s life. Now, add on top of that you may have a very limited time to capture these images! It is a lot to think about!

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05.31.2014

Photographing with Sigma’s new 50mm F1.4 DG HSM I A

©Judy Host 2014 | Lens: 50mm F1.4 DG HSM I A | Aperture: F2.0 | Shutter speed: 1/125sec | ISO 400 | Manual Mode – Window Light | Make up and Hair by Jennie Carroll | Stylist – Judy Host

The new Sigma 50mm F1.4 DG HSM I A is the ideal lens for portrait photography in natural or low light situations.

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05.19.2014

Photographing the Nighttime Landscape with Sigma’s 12-24mm lens

I have been photographing nighttime landscapes for about 20 years now capturing images of star trails like the one pictured […]

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05.16.2014

On Location in Alaska with the Sigma 18-250mm OS

On a recent trip to Alaska I brought along a lens on loan from Sigma, the 18-250mm F3.5-6.3 DC OS MACRO […]

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05.13.2014

How to Photograph Using Reflective Light

Sachi4972

As a natural light photographer there comes a time when even the best of us struggle with finding the right […]

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05.06.2014

How Your Camera Sees: Part 1

©2014 Lindsay Adler |Subject has hips pushed backwards away from camera. | Sigma 24-70mm lens at 60mm, Canon 5D Mark III

As a photographer, I am definitely a problem solver. I must solve endless problems including lighting, posing, and flattering my subject. One way to become a better problem solver is to understand the tools available to us, most importantly, our cameras.

When photographing people and portraits, it is important to understand how your camera and lenses see. When looking through the lens, how does your camera interpret the environment and your subject different than what you perceive with the naked eye? Whether posing and shooting fashion, family portraits or head shots, understanding this makes a profound impact on the final results.

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04.28.2014

How to Create an Action Sequence Image with Sigma’s 120-300mm F2.8

©2014 Robert O'Toole | Lens: 120-300mm F2.8 DG OS HSM | S | Focal Length:  250mm | Camera: Nikon  D4 | Exposure Mode:  manual mode | Shutter speed: 1/4000 sec | Aperture: f/4 | ISO 400 | handheld at water level.

When all the elements fall info place during a photo session you can find yourself a lot more than just a couple of high quality single images but instead can find that you have captured a series of images that illustrates some really interesting action. Combining multiple images into a single action sequence image can give you a creative eye opening image that can really surprise viewers.

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