Photography for me is more than creating a pretty picture. It’s about telling a story and transporting the viewer to another time and place. The idea that anything is possible if you can dream it is a re-occurring inspiration in my work. If I can create and capture a fantastical scene in our own reality without compositing in Photoshop, I feel that I have succeeded in preserving a little wonder and hope in our world, even if that scene existed for just a brief moment.
The magic of Hawaii, and the reason to keep returning time and time again, lies beyond the well-manicured resorts and pristine sandy beaches. The spirit of the land, or aina as the natives call it, is in the towering cliffs, lush rainforests, volcanic rock-strewn black sand beaches, deep canyons, lava-spouting volcanoes and tall mountains. Most visitors don’t see the incredible diversity Hawaii has to offer, but to those willing to explore, including dedicated photographers, it’s literally a paradise. I will show you only a small part of that incredible natural beauty here in two images of Big Island’s wild coast.
After a long winter of heavy shooting and endless travel on assignment I usually take a few weeks of late […]
As photographers, we often strive for that “perfect” image. Those who are most proficient in their art, in one way or another, pre-visualize the final photograph and strive to exercise the most possible control over all the variables involved in achieving the desired end result. The reality is that outside of the studio and particularly true in nature photography, all bets are off. The extensive planning and meticulous research performed prior to photographing a never before visited location may prove useful or lead to a near-fruitless and frustrating trip. The landscape artist cannot control light and precipitation and is always at the mercy of Mother Nature. Sometimes you have to come to terms with the fact that the iconic shot you saw in someone else’s portfolio will probably not be in yours. This is where you have the chance to prove your worth as a photographer by using your imagination and compositional skills to improvise and make the most out of the presented opportunities.
I have always wanted a fisheye lens and have always talked myself out of the purchase, confident that it would gather dust when the novelty wore off. Recently, after becoming interested in wide-angle macro photography, I bit the bullet and got the Sigma 15mm F2.8 EX DG Diagonal Fisheye. It’s now been two months and I honestly can’t put the lens down. A few weeks ago, my dad commented that my worldview is becoming warped and I hope he was just referring to the pleasing distortion in all my recent images.
When Sigma offered me the chance to shoot with the flagship SD1 Merrill DSLR, I jumped on the opportunity to extensively explore the abilities of the Foveon X3 censor at the heart of the camera. Knowing that my plans involved photographing the natural beauty of the mountainous American West allowed for the selection of several lenses from Sigma’s fine catalog most suited for that purpose – the 8-16mm F4.5-5.6 DC HSM wide angle, the 24-70mm F2.8 IF EX DG HSM mid range zoom and the 120-300mm F2.8 EX DG OS APO HSM telephoto.
We asked Justin Wojtczak of 375Photography if he’d like to test out the Sigma SD1 Merrill and the new 17-70mm F2.8-4.0 DC OS HSM | Contemporary lens during the spring wedding season and his answer was an emphatic “Yes!” Here Justin shares this thoughts on this lens and camera combination in a video review and shares the tech specs behind many of his favorite images.