The Sigma 24-35mm F2 DG HSM | Art is the world’s first full-frame zoom lens with a constant F2 maximum aperture, and its 1.45x zoom range manages to bridge three of the most popular wide angle fixed focal lengths for lenses: 24mm, 28mm and 35mm. The zoom range is subtle, but the compositional effects are noticeable as the smooth zoom ring shifts the field of view from 24mm through to 35mm.
Last year, Sigma announced a pair of zoom lenses for full-frame cameras, the 150-600mm F5-6.3 DG OS HSM | Sports and 150-600mm F5-6.3 DG OS HSM | Contemporary. With identical focal lengths and apertures, and advanced feature sets including the Sigma-exclusive lens customization, these two new champion zoom lenses share a significant amount of DNA. So, what is the difference between the Sports and Contemporary version of the Sigma 150-600mm zoom lenses?
Whether as a gift for your favorite dad, or recent grad, or for yourself before a big summer adventure, there’s great Sigma gear for everyone’s photographic style!
Why circular polarizers still matter: A high quality circular polarizer is still one of the most important accessories for any photographer’s bag. And the new Sigma Weather-resistant Circular Polarizers offer incredible performance, weather-tough design, and a fantastically upgraded case with grip arcs that keep the filters from rattling around in the bag.
Photography in winter can be a challenge. And when I say “winter”, I’m not talking of winter in the sense of majestic snowcapped peaks framed by freshly powdered pines with perfect golden light and firetone brushstroke clouds, I’m talking more of the winter of dirty refrozen slushpiles downtown three frigid days after a mid-January sleetstorm around 11:17 on a grey Tuesday morning when it seems there’s nothing magical left in the world worth getting out of warm car with a camera for.
Winter has its challenges, for sure, especially in the deciduous zones, where skeleton trees thrust bony fingers at the sky, and vistas and sweeping wild scenes are brushed widely with swaths of stingy browns and grays, instead of the festive pastels of spring, the lush greens of summer and the fall fireworks palette. But winter has it own charms and own rewards, and for photographers looking to challenge themselves and experiment, it can be a great time to get out and explore with a long lens, like the new 150-600mm F5-6.3 DG HSM OS | Sports lens.
The Sigma 150-600mm F5-6.3 DG OS HSM | Sports has been generating a ton of buzz since its announcement at photokina in September 2014. This Sports update of the 150-500mm supertelephoto zoom lens is one of two 150-600mm zoom lenses announced at the show, along with the 150-600mm DG OS HSM | Contemporary.
What a difference a couple of years makes!
Two years ago, we were gearing up for PhotoPlus, just days after the announcement of the Sigma Global Vision at photokina 2012. We were preparing ourselves for discussions and briefings to explain the philosophy behind the three new lines being offered.
At that time, many photographers and technical editors were confused as to what Art, Sports, and Contemporary was meant to convey in a lens name. We spent a lot of time that fall explaining the way that Sigma is rethinking lenses and how this relates to the three new lens markings.
Adding either of these Sigma 50mm F1.4s camera lenses to your kit is a great idea. Is the Sigma 50mm F1.4 DG HSM | A or 50mm F1.4 EC DG HSM right for you?
Whenever I spend time making photos with a Sigma camera, like the new dp2 Quattro, for example, it makes me slow down, think a little bit more about the overall composition, framing, and aesthetics of the image. In short, the nuances and quirks of the Sigma cameras helps me fine-tune my vision, and I strive to make each frame count. And the end result images are always a sight to behold, first on my monitor, and preferably, printed out in large format. It is a process that takes time; but the results are well worth it, thanks to the overall quality of the images.
That same feeling of value, permanence, and overall material importance is likewise encapsulated in my personal images made with DSLRs and interchangeable lens compact cameras in general. I choose to capture almost all of my images of family adventures on cameras with bigger sensors because these moments matter to me. And for me, the long-term image quality matters significantly more than the instant-sharing capabilities of a smart-phone snap. And of course, with such a great variety of Sigma lenses, there’s always a fresh perspective to be captured, from ultrawide, to supertelephoto, wide open for gorgeous background separation and bokeh, or stopped down for telephoto compression.