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Category: No Fear Photography
01.20.2015

How to Photograph Your Dog: 7 – Exposure: Photographing Your Beau in the Snow

The temps here in Ohio have dropped to below freezing, and a beautiful blanket of snow covers the ground—the perfect […]

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01.05.2015

Around the World with Sigma Lenses

© Eduardo Angel

One Photographer’s Experience Using Sigma Lenses in Istanbul, Brussels, and Paris, Part I By Eduardo Angel I have recently returned […]

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12.30.2014

How to Photograph Your Dog: 6 – New Year’s Resolutions

At the end of each year, we commonly reflect on our past 12 months and look forward to the next […]

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12.17.2014

How to Photograph Your Dog: 5 – Collar Color Theory

Almost all dogs sport a collar of one sort or another. If you plan on taking a lot of photos […]

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12.02.2014

How to Photograph Your Dog: 4 – First Bath

Labs love water, right? Throw a stick into a pond, and your retriever will dart into the water likety split. […]

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11.18.2014

How to Photograph Your Dog: 3 – Puppy Play

Rowan’s first visit to a dog park was great fun, both for our pup as well as her owners. While […]

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11.05.2014

How to Photograph Your Dog: 2 – The ALMOST Perfect Picture

What I’m hearing from readers is this: In your dog blog, don’t tell us how to take professional pet portraits; […]

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10.31.2014

Sigma 18-300mm F3.5-6.3 | Contemporary: Hands-On

The Sigma 18-300mm F3.5-6.3 DC OS HSM Macro | Contemporary is the newest all-in-one camera lens in the Sigma lineup, and offers a high 16.6x zoom ratio, 1:3 macro magnification, Optical Stabilizer, in a lens that covers wide angle to supertelephoto in a single, lightweight lens.

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10.21.2014

How to Photograph Your Dog: 1 – Transitions

Welcome to my new, bi-weekly photo “dog blog” celebrating canines and cameras. Here I plan to write about dogs, photography, […]

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10.06.2014

Taking Creative Control: Understanding Aperture and F/Stops

These two apples were photographed with the Sigma 18-35mm F1.8 DC HSM | A lens zoomed to 35mm with an F2.8 aperture for shallow depth of field. Notice how just a sliver of the leaf and near apple is on the focal plane. The front apple is about a foot from the lens, with the farther apple nine inches behind. The back wall with the very soft shadow is ten feet from the camera.  1/40 F2.8 ISO 400, continuous lighting.

Of the three main variables relating to creative and artistic control on DSLR and compact interchangeable cameras–aperture, shutter speed and ISO– aperture control, is for many beginners, the most difficult to grasp. Have no fear, we’re here to help. Learning how and when to select a wide or narrow aperture unleashes the creative and expressive potential of your camera’s lenses.

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