Our new video quicktips for photographers series offers advice for anyone who is looking to understand more about the techniques and technology that can help them make better pictures. Each episode is just a few minutes long and looks to explain and offer advice in an easy-to-grasp way. Check back all month long as we add new episodes to this series.
Great gear ideas for the summer, from the team at Sigma. Ideas for cameras and lenses for wherever you’re heading this sunny season!
The Sigma 18-200mm F3.5-6.3 DC OS HSM | C is a fantastic everyday lens for photographers looking for a compact, high-ratio zoom lens for small DSLRs
The Sigma 150-500mm F5-6.3 zoom lens offers great verstatility and reach in a compact package, perfect for on-the-go wildlife and birding phtoography.
Supertelephoto lenses can help bring a whole new level to your photography; and it just takes a little practice to get the hang of some of the particulars of working with long-reach lenses. Here are some top tips for making the most of supertelephoto zoom lenses.
A zoom lens is a type of camera lens that is offers the photographer a useful range of different focal lengths in a single lens. This is in comparison to a prime lens, which only offers a single focal length. A zoom lens allows for quick and easy re-framing of a scene while staying in the same physical position. Sigma offers a line of over 20 zoom lenses for DSLR photographers, ranging from wide angle zoom lenses, supertelephoto zoom lenses, and high-zoom ratio all-in-one lenses for both full-frame (DG) and APS-C (DC) digital cameras.
The love of photography is something that is oftentimes shared and passed down through the generations of a family. Ask a photographer where they first caught the photo bug, and there’s a good chance that a father, uncle, aunt or mother originally sparked that interest.
Prime lenses are designed for exceptional imaging at a single focal length. Unlike zoom lenses that easily span a given focal range and variable field of view with a twist of the zoom ring, the field of view and focal length remains constant. If you want to take in less of the surroundings with a given prime lens, you’ve got to physically move closer, and to take in more of the scene, you’ve got to back up. But of course, as you move, the angle of view remains the same all the while.
Whether unwrapped as a surprise under the Christmas tree, or purchased with gift cards to take advantage of the great seasonal pricing on all sorts of photo-related gear and gadgetry this time of year, it’s a known fact that many photographers will be finding themselves the proud owners of new lenses, cameras, bags and accessories right around now. And whatever piece of new gear it is, it’s always important to check it out and run it through its paces before heading out to make a once-in-a-lifetime photo, to make sure you, the proud new owner, are both familiar with the gear, and ensure everything is working as it should.
Learning how and when to use different settings and options for image capture is one of the most important parts of becoming a stronger photographer. There’s no setting or camera function that’s going to be perfect for all situations, while is exactly why there are so many options. For example, every DSLR offers a couple variations on Autofocus for either a Single-shot or Continuously tracking autofocus.
Each has it strengths and purposes, and even with that, there’s still times when switching the lens to manual focus is the best way to ensure that your chosen subject and focal point is sharp in the image. In this piece, we’re going to look at three photos of seagulls to briefly explore and explain the reasons why to choose one type of AF or manual focus over the others.